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Urbano Monte Map: Lands Of Antarctica And More…

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Eingetragen von HumanrightFORlegislation (Born as lawmaker) in User Videos
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The Urbano Monte Planisphere Map Of 1587. Tavola 1-60. Map of the World with additional spheres and labels in the four corners.
On one of the descriptive panels it says something about imaginary items in the Antarctic portion, whether that means the animals or the landscape I’m unsure, I would guess the animals. Featuring amazing beasts, the Ramparts of Gog and Magog at the Wall of Tartaria or China, Dragons, Phoenixes, King Kong... Great Kings, so much to take in. What else do you see? Leave a comment.

Monte (Monti), Urbano, 1544-1613 (pub’d in 1587) Planisphere Wall Map of the World.
Monte tried to make his map not just a geographical tool but it’s able to correlate climate, customs, length of day and distances within regions— in other words, to create a universal scientific planisphere. In his dedication on tavola XL he makes it explicit that the whole map was to be stuck on a wooden panel 5 and a half brachia square (3.25m) so that it could be revolved around a central pivot or pin through the north pole.
“An important and extraordinary manuscript world map drawn up on a north polar projection to form the largest manuscript map of the world at 9 by 9 feet. This map is one of 3 examples extant (2 manuscript, 1 printed) that form the continuum of Urbano Monte\'s work on his ultimate world map. Two other single sheet engraved world maps by Monte in North Polar projection are also known, published in Milan in 1603 and 1604, copies of both to be found in the Ambrosiana; an example of the 1603 is also in the Doria atlas from the Wardington Collection. Whilst unusual, the idea of a North Polar projection does have precedents in cartography, notably the beautiful world map of Postel first published in Paris in 1581, and one to be found engraved in ivory on a table top by Gennaro Picicaro, thought to be Naples, 1597 and probably borrowing from the ideas of Monte. The ideas for the projection can also be seen in the Contarini/Roselli map (Venice: 1506), the Ruysch map (Rome: 1507), and the Fine in Paris in 1531. All were attempts to capture the full extent of the world, in which much was still unknown. Of Monte little is known, except for the examples of his maps that have survived. He contributed to a 4 volume historical diary titled Delle cose piu notabili successe nella citta di Milano, the 4th volume of which describes the visit of the Japanese Embassy to Europe 1582-1590, in particular their stay in Italy. Monte\'s principal fame rests with his geographical treatise Trattato Universale descrittione et sito de tutta la terra sin qui consociuta descritto da Urbano Monte, which accomaanies the 64 sheet manuscript map in the Ambrosiano and would have been Libri primo and secondo to this volume; probably a separate folio volume of text to describe and relate the history and geography of the world. A particular point of interest is the small roundel portrait drawn under the dedication. Having drawn a nice small roundel portrait of himself in 1587, aged 43, he went back 2 years later to add a pasted-over portrait of himself, aged 45, suggesting that he came back to his work after signing off in 1587 (see sheet 42). The geography of this map is essentially Mercatorial, using Mercator\'s world map of 1569 as the style guide. On tavola XXV, Monte claims his sources for the map, citing geographers Piccolomini, Pliny, Ptolemy, Cortes, Fernando Columbus, Juan Gonzalez de Mendoza, Giovanni d\'Anania, various Jesuit letters, including Marco Polo, and cartographers Mercator, Gastaldi, Olaus Magnus, Giovio, Lopes and the brothers Zeno. A monumental map, this little known work by Monte can take its place alongside Mercator, Waldseemueller, Gastaldi and other greats of 16th century world mapping.” Bonhams, 2012.

Almost in F - Tranquillity by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
S ource: http://incompetech.com/music/royalty-free/ind ex.html?isrc=USUAN1100394
Artist: http://incompetech.com/
Light Awash by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
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Fluidscape by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
S ource: http://incompetech.com/music/royalty-free/ind ex.html?isrc=USUAN1100393
Artist: http://incompetech.com/
Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/
S ource: http://incompetech.com/music/royalty-free/ind ex.html?isrc=USUAN1100630
Please, pay a visit to the website hosting these images at https://www.davidrumsey.com/blog/2017/11/26/l argest-early-world-map-monte-s-10-ft-planisph ere-of-1587


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